UK-born, adopted Australian son Passenger (Mike Rosenberg) releases his latest, already critically-lauded album, All The Little Lights. Recorded at Linear Studios in Sydney (Empire of the Sun and Josh Pyke), All The Little Lights is the most accomplished Passenger record to date. “It’s very different to [the last album] Flight Of The Crow,” says Rosenberg. “This one is a bigger production and a bit more modern sounding.” Sydney’s Sunday Herald Sun agrees, calling the album “a revelation” and adding, “Passenger has impressively travelled in a bolder direction to achieve a mature new album. (4/5 stars)”
Nicholas Krgovich is a songwriter and multi-instrumentalist best known for his work with No Kids, Gigi, P:ano, and Mount Eerie. He has been releasing records under various monikers since P:ano’s acclaimed chamber pop debut, When It’ s Dark And It’ s Summer, which has led to his work with the girl group inspired Gigi, the icy displacement of the R&B informed No Kids, and most recently the singular pop dreams released under his own name. Even though the material is often wildly diverse, there is an unmistakable sense of Nick’s deep commitment to exploring the endless possibilities of pop, a discerning ear for sonic detail, and an ambition that willfully borders on the absurd.
Stephen Allen Davis (Revelry) grew up outside of Nashville, Tennessee. Seeing The Beatles on Ed Sullivan on February 9, 1964, would forever change what he wanted to do with his life. From age 14, he organized his own bands and performed his own songs on stage.
In the summer of 1967, Davis began playing bass in a band that worked in the infamous “Printer’s Alley” and later became the house band in Indianapolis at the Sugar Shack. A few months later, Davis was in his first publisher meeting with Al Gallico Music when he decided to play a brand new song he had written only months prior. The song, “Take Time To Know Her” would become a huge hit for Percy Sledge and at 19 years old, he signed his first publishing deal and a recording contract with RCA Records.
Channelling an eclectic body of influences, The Colurs combine contemporary pop production with the songwriting aesthetics of Brian Wilson, Todd Rundgren, and The Beatles, and lush orchestral arrangements reminiscent of scores by Frank Churchill and Oliver Wallace (from Disney’s Alice In Wonderland, Bambi, etc.), to create a fresh new sound.
Max Townsley and Drew Erickson joined forces in 2011 and converted an old house in Denton, Texas into a full recording studio, where they completed their unreleased debut EP. Both multi-instrumentalists, the two played all primary parts on the record and composed an accompanying orchestral score, commissioning musicians from the metroplex to form The Colurs Orchestra, a crew of young, talented string and horn players. The Colurs write, produce, arrange, and mix all of their music.
To say that Family of the Year has accomplished a lot in a short amount of time would be an understatement. Since the release of Loma Vista, FOTY has been included in Entertainment Weekly’s “15 New Stars We Love,” Paste Magazine/SonicBids “Emerging artists of 2013,” Billboard Magazine’s “Bubbling Under,” KCRW’S “Local Bands We Love” and featured as Interview Magazine’s “Discovery” band. With standout track “Hero,” FOTY has made a run of late-night TV appearance on Jimmy Kimmel Live!, CONAN and two episodes of Late Night With Carson Daly. Four weeks since their Billboard radio chart debut, "Hero" cracks Top 5 on the Triple A Top 30 Radio Chart and Top 20 at Alternative Radio (amongst the 5 most added at the format).
“I like storytelling, and wanted that to be the focus. I looked up genealogy charts and studied some American history for a frame of reference, then pulled from personal experiences and put it all together,” says Ben Cooper, aka Radical Face. Such concepts and stories come naturally to Ben, whom before turning to music wrote fiction. He switched to music after a hard drive crash where he lost his two nearly completed novels.
With the self-released LP The Family Tree: The Roots, Ben set out to do something non-traditional and progressively conceptual. In 2011, The Roots was the first installment of a three-part, stand-alone album series that chronicles a fictitious, and sometimes otherworldy, 19th century family.
Completed by fellow vocalist Sarah Hayes (also flute, piano), Kevin Brolly (clarinet, keyboards, backing vocals), Joe Rattray (bass, double bass, backing vocals) and Philip Hague (drums, vibraphone, backing vocals), Admiral Fallow’s richly distinctive mesh of acoustic and electric textures with multilayered harmonies has gained a fast-expanding fanbase either side of the Pond, prominently including Guillemots’ Fyfe Dangerfield, Elbow’s Guy Garvey, Radio 1’s Huw Stephens and BBC2’s ‘Whispering’ Bob Harris. They made their stateside debut with an appearance at last year’s SXSW, where they received praise from NPR’s influential All Songs Considered and Paste Magazine. They followed their triumphant SXSW performances with a busy summer of European festivals, including Glastonbury, Latitude, Cambridge Folk Festival, Green Man, End Of The Road, Sligo Live, Crossing Border and many more.
Call it summertime synth. Vancouver band Young Liars have earned a loyal audience, forged by a reputation for explosive live shows, performing alongside Minus the Bear, CSS, and STRFKR and headlining showcases at Rifflandia festival and NXNE. Now, the band embarks on a new journey with their debut album, Tidal Wave, a sonic seachange that focuses their energy into a blissed-out sound powered by understated grooves and well- mannered rock.
The beginning of Young Liars was all about timing. It formed, as bassist Andrew Beck says, “from a combination of old bands breaking up, a few members staying together and a friend of a friend joining along the way.” Drummer Tyler Badali and Beck formed the group with singer and guitarist Jordan Raine, later Wes Nickel signed on to play keys. Together they forged a unified sound and live show that made the dream of music- making into a reality.