LITANY SHARES NEW SINGLE “I NEED A MAN”

Self-discovery and the struggles of mental health are familiar themes in pop music, often wrapped in shimmering productions and infectious hooks that echo through daily life. But few artists have the courage to strip back the gloss and lay their unfiltered truths bare. Harrogate-born artist and songwriter Litany is one of those rare voices

Today, Litany sharpens her introspective pop with the release of her new single, ‘I Need A Man’, ahead of her highly anticipated debut album, ‘Sadgirl’, out on 25th April 2025 via Nettwerk. The track delivers a bold, unapologetic moment, blending Litany’s signature glossy pop style with raw, self-reflective lyrics. I Need A Man explores turning the complexities of love and longing into a powerful anthem. The single also comes with a captivating visualiser – watch it here. 

LISTEN TO ‘I NEED A MAN’ | PRE-ORDER ‘SADGIRL’ ALBUM

Reflecting on ‘I Need A Man’ Litany describes, “Written in a moment of exasperation after a slew of shitty dates with shitty men forcing me to reflect on all my failed relationships and false romantic starts – it’s exhausting. It’s a plea for companionship in my loneliest hour.”

Following Litany’s sold-out headline show at London’s Oslo alongside headline Manchester and Leeds shows, and her recent releases – title track ‘Sadgirl’, ‘Future Us’, ‘Jelly Tot’, and the collaboration with rising star Kai Bosch, ‘Hello, Anxiety’ – ‘Sadgirl’ is the debut album that’s as raw and real as it gets. Over 11 tracks, it offers an unapologetic dive into mental health struggles, emotional wreckage, and the messy, slow road to self-discovery. Born from the wreckage of breakdowns and the aftermath of a long, hard journey, the record is the sound of someone peeling back layers, unearthing both despair and defiant joy along the way.

Tracks like the bruising yet empowering ‘Kingpin’ lay bare Litany’s struggles with personal demons and the toxic pressures of the industry that raised her. But it’s not all heavy: the cheeky debut single ‘Jelly Tot’ marks a turning point, a punchy burst of sass as Litany shakes off the dark cloud and reclaims her power. ‘Future Us’ brings a rare, almost naive optimism to the mix with its Vampire Weekend-inspired sax and sun-drenched vibe – it’s a reminder that joy can coexist with struggle. 

And then there’s the haunting ‘Vertigo’, which starts with emotional dependency and swells into a sobering realisation of self-worth. Closing with the present-tense introspection of ‘Alright’, Sadgirl ends on a bittersweet yet hopeful note, with Litany finally coming to terms with herself and her imperfections. This is an album about owning your story – no matter how painful or beautiful – and it’s a powerful reminder that even in your darkest moments, there’s always a way out. And sometimes, the only way through is to dance your way out of the darkness.

Turning down the volume on the music industry while cranking up the raw, unfiltered realities of life is something Litany knows all too well. Her reluctance to face her inner turmoil is understandable when you consider her journey. Since launching her career in 2015, she’s worked intensely to elevate her project to new heights. Her breakthrough came with ‘Bedroom’, a track that exploded in popularity after its brief feature in a Wrigley’s Extra commercial, amassing nearly 60 million streams on Spotify. Her ascent seemed unstoppable, further bolstered when national treasure Joe Lycett directed her music video for the single ‘Uh Huh’. Litany’s initial years in London were a whirlwind of parties and dazzling city lights, fulfilling the dreams she had long harbored. But as 2019 gave way to the year of the pandemic she found herself grappling with mounting anxiety, stress, and depression. 

With a series of standout airplay moments – including BBC Radio 1’s Future Pop, BBC Radio 2, a glowing endorsement from Elton John on his Rocket Hour show, and a recent appearance on Patrick Kielty’s show on BBC Radio 5 Live – Litany is ready to embark on an exciting new chapter. Having sold out iconic London venues such as Scala, The Lower Third, and more recently Oslo, she’s now gearing up to bring her electrifying and captivating live performance to stages later this year. Stay tuned for more from Litany to come!