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Bon Jovi

Bon Jovi

Skinny Puppy

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There’s not much difference between a playground bully, a corporate CEO and the self-absorbed figureheads of many of the world’s current administrations. They’ll all tell you that by surrendering your lunch money or tax dollars, they’re working toward “your best interests.” And we all realize these people are merely imposing a will of their own choosing to enhance their own mythology. Of course, fake benevolence isn’t the sole domain of public figures: Life has taught us the most insidious masters of manipulation come in more covert and intimate forms. Consider your friends, lovers and spouses.

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Single Gun Theory

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Sensefield

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Formed out the ashes of Melodic Hardcore Punk band "Reason to Believe", Sense Field pioneered the way for all emotional hardcore bands to follow. They toured with bands like Jimmy Eat World, Far, Texas Is The Reason, Dashboard Confessional, etc. They had releases on Revelation Records and Nettwerk Records. The band pushed along through a change in drummers and a loss of founding guitarist Rodney. After their 2003 world tour the band broke up.

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Ron Sexsmith

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Po’ Girl

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Po' Girl is a roots band from Montreal and Toronto.

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Paul van Dyk

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Grammy nominated artist and globally acclaimed DJ and Producer Paul van Dyk continues to dominate the electronic music charts and appears at the pinnacle of every Top DJ list across the globe. His fifth original album In Between was released August 2007 and features collaborations with David Byrne and Jessica Sutta of the Pussycat Dolls.
PvD is renowned as one of the hardest working artists, with sold-out tours that cross each continent, headline spots at every major festival, and a hugely successful recording career. With over 3 million albums sold worldwide, van Dyk travels around the world over 16 times each year to sold out performances internationally. 2007 alone has brought us PvD remixes of Depeche Mode’s “Martyr”, Britney Spears’ „Gimmy more“ and Justin Timberlake’s “What Goes Around… Comes Around”.

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Oh Susanna

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Every artist rides the switchbacks of direct comparison before they earn the right to step into their own musical shoes and leave a customized footprint. At first, Canadian singer-songwriter Oh Susanna might have been Dylanesque with her stark intense narratives. As she developed, she was sometimes called (Gillian) Welchesque for her mountain-air monologues. With the arrival of a third, full-length, self-titled album, the time for the lazy likening of Suzie Ungerleider to anyone else has passed. With its depth of accomplishment to delight everybody that hears it, the only description from this record on can be Oh Susanna-esque.

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Lifehouse